Fount & Origin

ABOUT the ensemble

Fount & Origin is a Oxford-based early music vocal ensemble specialising in late-medieval and early-renaissance music. We are committed to performing lesser-known works from this period and exploring the rich cultural and liturgical history that accompanies the music. We hope that our work will inspire further performance and interest in this neglected repertory.

Formed in Autumn 2018 by our director, James Tomlinson, the ensemble of a dozen students and young professionals delight in reviving forgotten and underperformed early music to the highest standards of choral performance, combining clarity of tone with an expressive wit, and demonstrating “impressive control over challenging idioms” (Edward Higginbottom, 2019).

Fount & Origin has been awarded the Stile Antico Ensemble Development Bursary 2019-2021, for which the members of Fount & Origin will be working closely with those of Stile Antico to embark on exciting projects and performances in the near future.

Find out more…

Our next events

Norwich Cathedral: 21-23 Jul

The Moon of All Music

Polyphonic Laments from the 15th Century

As part of the celebrations for the 900th anniversary of the death of Norwich Cathedral’s founder, Herbert de Losinga, who was born and educated in France, we are performing a concert of music for remembrance by composers of the Franco-Flemish tradition of the 15th century.

The concert will take place in the cathedral on Sunday 21st July at 5pm. Tickets are free, and there will be a retiring collection.

The Divine Office

We will be observing the full Benedictine Liturgy of the Hours on Sunday 21st and Monday 22nd, as it was sung by the Benedictine monks of the Cathedral Priory for hundreds of years. Come along to be transported back in time.This is a truly special opportunity to experience the sights and sounds of the medieval Cathedral. 

Sunday 23 July

3am Matins
4.30am Lauds
6am Prime
12 noon Sext
2.30pm None
5pm Concert
7pm Vespers
9.30pm Compline

Monday 22 July

3am Matins
4.30am Lauds
6am Prime
9am Terce
12pm Sext
2.30pm None
7pm Vespers
9.30pm Compline

The Herbert Mass

On Herbert’s Day itself, Tuesday 23 July, a solemn Eucharist will be celebrated according to the Sarum Rite of the medieval English Church at 7pm.

Latest news

TMOAM Final Poster design

Concert at Norwich Cathedral

We are pleased to announce our next concert programme, The Moon of All Music, which explores the repertory of polyphonic laments from the 15th-century Franco-Flemish regions. This will be performed…

Machaut mass

We’re having great fun trying to assume the mindset of the 14th-century singer in preparation for our upcoming concert “Fumeux fume”. Hear our recording below as we experiment with period…

A little Cornysh

We really enjoyed performing our programme of 15th-century English polyphony in Oxford and London! Here’s a clip from one of our rehearsals.

Fumeux Fume concert announced

Join us in St Mary Magdalen’s Church for a programme of dazzling French songs from the late 14th century, as well as the famous Messe de Nostre Dame by the…

Concert video

We’re pleased to share with you a video of ‘Nectar et ambrosiam’ by Lassus recorded live at our recent concert.


"James Tomlinson's group 'Fount and Origin' work in the field of a cappella polyphony, from Lionel Power to Gesualdo. I had the pleasure of attending their Oxford performance (Merton College Chapel, 9 February 2019) of Ockeghem's Missa Caput, interspersed with motets by Lionel Power. The programme in itself was intriguing, revealing two very different sides of compositional practice in the 15th century. It was hugely commendable to get this music off the ground. However, the event proved to be so much more than an admirable initiative. It was a very satisfying aesthetic experience. The group of some 11 singers handled the challenging idioms with real assurance. Technical and expressive qualities were strong. There was coherence and integrity in their approach. This was student music-making of a high order, revealing a professional approach, and a genuine enthusiasm for this often talked-about but seldom-performed repertory.”
Edward Higginbottom
11th February 2019