ABOUT the ensemble

Fount & Origin is a new Oxford-based early music vocal ensemble specialising in late-medieval and early-renaissance music. We are committed to performing lesser-known works from this period and exploring the rich cultural and liturgical history that accompanies the music. We hope that our work will inspire further performance and interest in this neglected repertory.

Formed in Autumn 2018 by our director, James Tomlinson, the ensemble of a dozen students and young professionals delight in reviving forgotten and underperformed early music to the highest standards of choral performance, combining clarity of tone with an expressive wit, and demonstrating “impressive control over challenging idioms” (Edward Higginbottom, 2019).

Fount & Origin has been awarded the Stile Antico Ensemble Development Bursary 2019-2021, for which the members of Fount & Origin will be working closely with those of Stile Antico to embark on exciting projects and performances in the near future.

Find out more…

Our next event

Norwich Cathedral residency: 20-23 July

More details to follow shortly.

Latest news

Rehearsals start again

And we’re off! We are excited to get started on our next programme featuring Lassus and Gesualdo for performance in The Queen’s College chapel on 5th March!

Concert video

We’re pleased to share with you the Kyrie from Ockeghem’s Missa Caput, recorded live in concert on 9th Feb. We hope you enjoy!

Ockeghem and Leonel Power

We had a wonderful time performing Ockeghem’s Missa Caput and other works by Ockeghem and Leonel Power in Merton College Chapel last night!

Reviews

"James Tomlinson's group 'Fount and Origin' work in the field of a cappella polyphony, from Lionel Power to Gesualdo. I had the pleasure of attending their Oxford performance (Merton College Chapel, 9 February 2019) of Ockeghem's Missa Caput, interspersed with motets by Lionel Power. The programme in itself was intriguing, revealing two very different sides of compositional practice in the 15th century. It was hugely commendable to get this music off the ground. However, the event proved to be so much more than an admirable initiative. It was a very satisfying aesthetic experience. The group of some 11 singers handled the challenging idioms with real assurance. Technical and expressive qualities were strong. There was coherence and integrity in their approach. This was student music-making of a high order, revealing a professional approach, and a genuine enthusiasm for this often talked-about but seldom-performed repertory.”
Edward Higginbottom
11th February 2019